Alien invasions have been a longstanding tradition in the science-fiction genre. The concept gained traction in the fifties, during a time of drive-ins about radiated monsters and the like.
But ultimately, alien invasion stories tap into humanity’s innate fear of the “other”, standing in for any generation’s paranoia. As such, it can be really fascinating to reflect on the exceptions. Without emphasizing spectacle, such films can explore our relationships and communication with the “other”—or even with Earth itself. Some instances discuss the profound scientific significance of life beyond Earth, or criticize humanity’s flaws. Here’s the best of those rare, intriguing movies about peaceful aliens.
Superman: The Movie
Superman: The Movie is arguably the quintessential superhero film, both structurally and thematically. Sure, it may be strange to consider the protagonist an alien, rather than a superhero. But the opening of the film spends a great deal of time on Krypton. Created by two Jewish young men, the fascinating mythology of Superman is imbued with powerful religious symbolism. That aside, the film explores some other interesting observations. Superman’s parents note that humans could make him a pariah. His adopted parents suggest that the government might have stolen him away. Additionally, the story ruminates about purpose, and the responsibilities of power. But it never forgets to be an entertaining film, with an unrivaled fanfare.
Paul
Simon Pegg and Nick Frost have an unstoppable, natural chemistry on-screen with few peers. It’s practically akin to Richard Pryor and Gene Wilder. The two hit it big with Shaun of the Dead, which is an undeniably a genius horror-comedy. In this case, they team up for a parody of all things science-fiction. Seth Rogen’s voice is perfect for the titular character, and Paul’s friendship with the protagonists feels completely organic. Simply, it’s an utterly bizarre road trip movie. It outright confronts religion, which may prod some viewers, but the film’s silly attitude doesn’t really bear malice. The jokes are unusually juvenile, but generally land. It’s laid-back fan service for anyone who loves sci-fi and movies about aliens.
Lilo & Stitch
This underrated Disney film from 2002 keeps things simple, short and sweet. Surprisingly enough, it’s one of their few outings that specifically focuses on siblings. Their relationship in the film is believable and touching. It’s also a perfect companion to the arrival of Stitch, a destructive force tamed by family attachments.
Although he isn’t quite friendly at first, the civilization pursuing him can be. They’ve established rules to avoid interference, and hoped Stitch wouldn’t safely drop on land. In any case, the setting is unique, the characters feel uniquely real, and the comedy is superb. The story may not be especially sophisticated, but it’s certainly effective and moving.
Arrival
Arrival is undoubtedly some of Amy Adams’ best work, flaunting that signature, plausible nuance. Not to be confused with Charlie Sheen’s The Arrival, this timely story released in 2016 to sell communication. More so than ever, it’s become clear just how harmful barriers and misunderstandings can be. Communication is probably the most crucial cornerstone of progress and peace. In this film, our malicious intent and assumptions constantly interfere with the protagonist’s attempts to unravel the aliens’ mystery. It’s a visually and thematically beautiful film, with an absolutely stunning twist ending. The drama is heartbreaking, and the sci-fi serves a powerful, relevant message.
District 9
Neill Blomkamp’s crowning achievement is a fierce, relentless film about refugees. They just so happen to be from another planet. Their incorporation into a totally unique setting on film is completely engaging. Every conceivable relationship with this race is explored. They acquire cruel nicknames, and live in adverse camps, despite bringing no malevolent intent. Still, it’s an incredibly well-balanced film. The social commentary is accompanied by an equal share of incredible action and—surprisingly enough—great comedy. The performances are outstanding, the CGI is convincing, and the ticking clock on the protagonist’s infection is gripping.
Contact
More so than most movies, let alone within science-fiction, Contact captures the spirit of scientific wonder and grandeur. The mystery of a potentially alien message is the perfect agent for this. Jodie Foster is absolutely superb as the protagonist, with an infectious scientific enthusiasm. But her lack of faith is consistently countered throughout the film.
She meets a religious love interest, who eventually challenges her disbelief on behalf of the entire spirituality on Earth. It’s interesting to consider what role religion would play in our communication with a potentially alien race. Still, the film is also about her childhood grief, and it asks other profound questions that would please Arthur C. Clarke.
The Abyss
There’s no doubt that this was a passion project for James Cameron, who’s personally visited insane sea depths. As usual, he generates a very convincing and entertaining camaraderie aboard the drilling platform. The protagonist’s relationship with his ex-wife, and their resolution, feels completely sincere. The villainous soldier, Coffey, represents blatant paranoia of a foreign country. His instability provides an entertaining foil for the drilling crew, and a perfect representation for humanity’s flaws. The sense of mystery involving the underwater aliens is both captivating and fresh. The beings themselves have a terrific design, and the visual effects were far ahead of their time.
E.T. The Extra-Terrestrial
This classic family film is one of many wherein a new friend helps a child learn to cope with adversity. However, there is something undeniably pure about the sentimental, childlike wonder that only director Steven Spielberg can conjure. The story of the father’s abandonment is likely familiar to many, and certainly sympathetic.
This was a deeply personal touch for Spielberg, and the film wears that sincerity on its sleeve to great effect. John Williams’ score, combined with Spielberg’s deft hand, makes for a definitive cinematic experience. E.T.’s friendship with Elliot feels totally genuine thanks to incredible special effects, and the lead’s tremendous talent.
The Day The Earth Stood Still (1951)
Once again, the premise is hinged on humanity’s violent impulses in the face of the unknown. Even when the alien arrives in Washington with a message of peace, in clear English, we respond with hostility. A device that would have opened up Earth’s understanding of the far reaches of space is destroyed by gunfire. Simply because one soldier made a false assumption about the alien’s gesture. Humanity inherently compromises itself. Released at the onset of sci-fi’s tackiest decade, this story truly stands above and beyond in its sophistication and tone. Not to mention, the merciful Gort is a fantastic robotic icon.
Close Encounters Of The Third Kind
This film is unique in its attitude towards alien existence as a genuine phenomenon. This includes concepts of the government’s preexisting familiarity, and efforts to suppress the truth. The supernatural experience of witnessing and communicating with alien beings is presented as wondrous and profound. And yet, although the mystery is absolutely compelling, the film largely explores its effect on a suburban family. The protagonist becomes driven by erratic impulse, tearing him apart from his wife and children. This is a memorable adventure about the nature of genuine alien contact, intruding on reality. As usual, the Spielberg and Williams partnership offers clever camerawork and iconic music, with a nifty emphasis on the latter.
